The First Omen serves as a stunning prequel to Richard Donner’s classic horror film, “The Omen” (1976). Set in Rome, the story revolves around Margaret Daino (played by the terrific Nell Tiger Free), a fresh-off-the-boat American novitiate. Tasked with working at an orphanage before taking her vows, Margaret’s existential purpose clashes with political unrest and societal skepticism toward the church. The film delves into themes of faith, temptation, and the birth of evil—the very essence of the Antichrist.

Character Development:

Margaret’s journey from wide-eyed innocence to unsettling realization is compelling. Her interactions with fellow novitiate Luz (portrayed by the enthralling Maria Caballero) add depth to the characters. Luz challenges Margaret’s beliefs, leading her down a dangerous path—one that ultimately ties into the ominous legacy of Damien, the Antichrist.

Director’s Style and Technical Aspects:

First-time feature director Arkasha Stevenson masterfully captures the ’70s aesthetic, infusing the film with earthy colors and insidious scares. The vintage tinge, reminiscent of “Rosemary’s Baby,” adds to the unsettling atmosphere. The cinematography, costumes, and sets evoke a sense of nostalgia, paying homage to classic horror.

Strengths:

1. Atmosphere: “The First Omen” excels in creating a skin-crawling, suspenseful ambiance.
2. Nell Tiger Free: Her performance as Margaret is captivating.
3. Visuals: The film’s production value evokes the golden era of horror.

Weaknesses:

1. Length: Some viewers may find it slightly long.
2. Scavenger Hunt Plot: The Dan Brown-esque elements could have been streamlined.

Recommendation:

Despite its flaws, “The First Omen” is a must-watch for horror enthusiasts. If you appreciate vintage horror and enjoy slow-burn tension, this film delivers. Just be prepared for a chilling descent into darkness.