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The Seed of the Sacred Fig 2024

Directed and written by Mohammad Rasoulof, "The Seed of the Sacred Fig" is a 2024 Iranian drama that delves into themes of paranoia, political unrest, and family dynamics amidst the backdrop of nationwide protests in Tehran. The film centers on Iman (Missagh Zareh), a newly appointed investigating judge in the Revolutionary Court. As the protests intensify following the death of a young woman, Iman grapples with increasing paranoia and distrust, particularly when his handgun mysteriously disappears. He begins to suspect his wife, Najmeh (Soheila Golestani), and their two daughters, Rezvan (Setareh Maleki) and Sana (Mahsa Rostami), leading to escalating tensions and harsh measures within their household. The film incorporates real-life footage of the "Woman, Life, Freedom" movement, highlighting the generational divide and the impact of the authoritarian regime on individual lives. Shot in secret, the film has garnered significant attention, winning the Special Jury Prize at the 77th Cannes Film Festival, a notable achievement given director Rasoulof's flight from Iran after being sentenced to prison for his work. The film has received critical acclaim for its gripping narrative, allegorical depth, and powerful depiction of resistance against oppression. While it premiered at Cannes on May 24, 2024, its international and domestic release dates vary, with a limited U.S. release by Neon set for November 27, 2024.

  • 2024
  • 2 h : 47 min
  • 184 views
  • 7.663
  • PG-13
  • Français
Isabella Rossellini
Isabella Rossellini

2025-05-25 19:26:02

The movie is like two movies stitched together. The first half is very good, actors, scenario, shooting etc. It looks as if the scenario has been written as the film is shot without a plan to how it will end. In the last third of the movie, there seems to be a lapse of everything as if the the whole production/direction crew has been jailed and some new people took over the production without knowing what the film is about. It seems condemning the Iranian regime seems to be the ultimate motive, however it would have been more successful with a good last half. The last third of the movie is pointless, meaningless and boring, taking away what the first part has induced.

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